PRESS ➔
Speculative Tourism from NYC to the DMZ: Sophie Friedman-Pappas and TJ Shin in Conversation with Moira Sims, Boston Art Review
UNLIFE: PART I, SOFT OPENING, LOS ANGELES, CA, 2023
KILN BUILDING QUILTING BUTTON 1 (FAILED, MAX TEMP 1600F), ALTERED DESIGN OF STEVE DAVIS’ FAUX-WOOD-FIRED KILN, MIXED MEDIA,
2023
UNLIFE: PART II, SOFT OPENING, LONDON, 2024
LACKER, IN LIEU, LOS ANGELES, CA 2023
KILN BUILDING QUILTING BUTTON 1 (FAILED, MAX TEMP 1600F), ALTERED DESIGN OF STEVE DAVIS’ FAUX-WOOD-FIRED KILN, MIXED MEDIA,
2023
WALL WORKS BY JASMINE GREGORY (LEFT) AND MARTIN WONG (RIGHT)
UNLIFE: PART II, SOFT OPENING, LONDON, 2024
KILN BUILDING QUILTING BUTTON 1 TOP, MIXED MEDIA, 2023
LACKER, IN LIEU, LOS ANGELES, CA 2023
DELTILLE-D WALL’S NECESSARY ANACHRONISM 2, INVERTED CAMERA OBSCURA (HOMEMADE PROJECTOR), MIXED MEDIA, 2023
PROJECTED TEXT
PROJECTED TEXT
SOPHIE FRIEDMAN-PAPPAS AND HANNAH BLACK, MEREDITH ROSEN GALLERY, NEW YORK, NY 2022
UNTITLED, HAND-DYED GOAT PARCHMENT, T-SQUARES, RULER, AND SILVER LEAF, 2022
VIDEOS BY HANNAH BLACK
VIDEOS BY HANNAH BLACK
THE DEVIL YOU KNOW AT SIMONE SUBAL GALLERY, NEW YORK, NY 2022
PRESS ➔
BOMB MAGAZINE
BOMB MAGAZINE
PRESS ➞
Victoria Campbell, “The Surplus in Being: On Sophie Friedman-Pappas’ post-consumer practice & the xenocology of her Transfer Station solo show at Alyssa Davis,” AQNB, 2021.
Rudy Natazon, “Sophie Friedman-Pappas: Transfer Station,” The Brooklyn Rail, 2021.
ALL I REMEMBER NOW AT IN LIEU LOS ANGELES, CA 2021
QUICK PLUG, AZO URINARY PAIN RELIEF, URINE-TANNED STRIPED BASS LEATHER, PAINT BRUSHES, WOOD TAPE, FOUND OBJECTS, EPOXY CLAY, WATERCOLOR, THREAD, HIDE GLUE, SAND, AND GLAZED STONEWARE, 2021